Current | Current Programming — Littman & White Galleries

Littman Gallery
09.29.25 – 11.26.25

PNW Conceptual Art Center’s 75th Anniversary

The Pacific Northwest Conceptual Art Center would like to invite you to our 75th Anniversary Retrospective, graciously hosted by the Littman Gallery at Portland State University. We will be showing a variety of historical conceptual artworks influenced by the center, as well as contemporary artists working in the field.

The PNW Conceptual Art Center’s goal is to provide opportunities for artists and writers, and education and events for anyone who wants to learn about conceptual art and its history. We choose to operate out of a sense of abundance and believe that the making and enjoyment of art is for everyone.

Invitation to the 75th anniversary retrospective exhibition at Pacific Northwest Conceptual Art Center, featuring text with event details, dates, and artist names, background design with black, blue, and light blue geometric shapes.

Microgalleries
09.30.25 – 11.07.25

Comparison • Dio Chavez

Comparison is a disease that I have fallen victim to. I see my peers excelling and creating things that I would only dream of; their skills are far beyond my own. I am unable to translate my ideas into tangible things. Every time I gain confidence in my art, I am promptly met with uncertainty: Is this good enough…Am I enough? This is the dilemma of an artist, coming to terms with creating something less than perfect.

A graphic design promotional poster for an art exhibition titled 'Microgalleries,' showcasing a comparison by Dio Chavez from September 30th to November 7th. The poster features a bright green background with black and yellow cartoon-like characters with logos on their bodies. The top text mentions Littman & White Galleries and Microgalleries, and there is a paragraph explaining Dio Chavez's background and artistic focus. The bottom section has bold text highlighting the exhibition details, with a slightly stylized font.

White Gallery
10.29.25 – 01.23.26

universe [held] • Valerie Yeo

Our hands are one of the most expressive parts of our body. They are integral to our work, our rest, our play, and our connections with other people. They are made from the same elements as earth, fire, water, and air, and as such, a constant reminder of our connection to nature. We use our hands intuitively every day, and amass a colossal and innate wisdom contained inside our skin. This series is an intimate collection of hand portraits belonging to loved ones in my queer, trans, and Black, Indigenous, and Person of Color (QTBIPOC) community. Each pair reflects the unique fingerprint each person reflects in my life. As I was making this series, I was struck by the radiance contained inside each set of hands, and the ever-shifting light surrounding them, a reminder of the abundance contained inside us individually and collectively.